Time for a topical seasonal parody, regressing 44 years to 1976. This was not a vintage year for Christmas singles. Jethro Tull made a futile pitch for rural credibility with “Ring Out Solstice Bells”, and the least said about the irritating novelty song “Bionic Santa”, the better. This left Johnny Mathis with a clear run for No 1, never realising that one of his biggest fans would turn out to be Gerald the Gorilla from Not The Nine O’Clock News. As the Professor complained, “You’re not kidding, are you. ‘When A Child Is Born’ blaring out at all hours when I’m downstairs trying to do some work…” The song did, of course, seek to convey a message of hope. Here in 2020, as Christmas struggles to make its way past weeks and months of overreaction and exaggeration, a message of despair is a more symbolic choice: -
A length of rope dangles from the sky
A mighty scar blights from way up high
All across the land, freedoms are withdrawn
This comes to pass when a scare is born
A silent threat sails the seven seas
Foul winds of change, fuelled by the Chinese
Made our ruling class crumble, tossed and torn
This comes to pass when a scare is born
A gloomy view settles all around
They can’t reveal they’re on shaky ground
In a spell or two, all are made forlorn
This comes to pass when a scare is born
To save their face, they imposed lockdown
With their fake tiers, built the new ghost town
They’re all comfortable, we’re all overdrawn
This comes to pass when a scare is born
And all of this happens because the world is cowering
Cowering from one virus
Bats, labs, whatever, no one knows
But a virus that was hyped up to turn livelihood to ruin,
Hope to fear, pleasure to pain and quality of life to mere existence
And misery and suffering will be words to be inflicted, forever
It’s a bad dream, deep confusion now
Can we come through, sometime soon somehow
All across the land, dawns a time to mourn
This comes to pass when a scare is born
(The original, of course, only had three verses before the spoken bridge. I could not resist hammering the underlying message home by adding the fourth.)
As ministers continue to dance to
the tune of charlatans – excuse me, expert scientists – in their inexplicable
war on the economy and quality of life, we could be forgiven for thinking that
the latter’s influence over the former echoes that of a notorious mad monk over
the imperial Russian court just over a hundred years ago. If we may liken the
ascetic yet sanctimonious Professor Chris Whitty to Rasputin – and I think we
may – there is at least some wry humour (and wishful thinking) to be gleaned
from revisiting a cheesy 70s disco classic. The accompanying Boney M video is
so bad it's brilliant…
There lived a certain man, in Britain here and now
He was pink of face, not much hair above his brow
Most people look at him with hatred and with fear
As he tells the pubs they must pour away their beer
He can preach statistics like a preacher
Full of doom and gloom and fire
Wielding power as Matthew Hancock’s teacher –
“Drag them through the mire”
Chris, Chris, Chris Whitty
Slammed us under lock and key
There is a prat who really is gone
Chris, Chris, Chris Whitty
Britain’s greatest harm machine
It’s a disgrace how he’s carried on
He rules with Pat Vallance, and never mind the Queen
With their charts and slides, spreading doom that’s quite obscene
In all affairs of state, he never needs to please
He’ll just devastate with an economic squeeze
For the NHS, a propaganda squealer
Though we knew the harm he’d done
Boris still thought that he was a healer
Who’d make Covid run
[Chorus]
But when his blinking and blustering and his hunger for lockdowns
Destroyed quality of life for more and more people
The demands to do something about this outrageous man
Became louder and louder
“This man’s just go to go”, the call from some MPs
But the leaders begged, “Don’t you doubt his wisdom, please”
From lockdown fan Whitty, his doctrine of alarm
“You must find a cure, or you’ll come to too much harm”
Even the most ardent
Americanophile will concede that not all US exports have been welcome. We only
need think of school proms, rap music and political correctness. Not forgetting
the worst of all, the artificial designation of a November date as a trigger
for reckless expenditure, fuelled by retailers’ self serving clarion calls that
seem to precede the date for weeks on end. I refer, of course, to Black Friday.
It’s today, so we are informed (fancy that, I never suspected). At least it did
not exist in 1973, when it might have inspired Brummie legend Roy Wood to write
an entirely different festive song: -
When the salesman brings the sale
When he just wants more retail
He’s put a great big hole in your bank account today
If the shops fill you with dread
Adverts pounding through your head
Go home and lock your doors, you know the marketing
whores are on their way
Well I wish we could abolish Black Friday
When we buy loads of rubbish, then we throw the lot
away
Well I wish we could abolish Black Friday
It’s when the tills ring out for Christmas
When you’re skating on thin ice
At the all too tempting price
And the rosy ads help you on your reckless way -
Now the overdrafts appear
And they’ve frozen you with fear
But you’ll log on and shop and pretend you can wish
them all away
Well I wish we could abolish Black Friday
When we spend too much money and regret it the next
day
Well I wish we could abolish Black Friday
It’s when the tills ring out for Christmas
When the salesman brings the sale
When he just wants more retail
He’s put a great big hole in your bank account today
So if Amazon bring their sleigh
And you’ve spent your hard earned pay
You’ll kick yourself for the money that you’ve lost,
‘cause there’s sales on Christmas Day
Well I wish we could abolish Black Friday
When we’ve maxed out our credit cards in wanton
disarray
Well I wish we could abolish Black Friday
It’s when the tills ring out for Christmas
Well I wish we could abolish Black Friday
When we know two days later it’s Send It Back Sunday
Well I wish we could abolish Black Friday
It’s when the tills ring out for Christmas
Why must those tills ring out for Christmas?
(The accompanying clip throws some light on the song’s
creation, illustrated with Top of the Pops footage and some grim shots of 70s
Birmingham.)
We
now hear that Van Morrison, a musician perhaps not best known for his sunny
disposition or sense of humour, has written a trilogy of songs in which he
leaves his antipathy to lockdown and related anti-Covid measures completely
beyond doubt. An entirely legitimate view, of course. However, while the
embittered and the heartfelt plea types of protest song are long established,
they are not necessarily the best medicine in these ludicrous times. Laughter,
via parodies, might just have the edge.
Fifty three years ago, the Summer of
Love was memorably reflected in Scott McKenzie’s best selling single “San
Francisco”. How might he have commemorated this year’s Summer of Fear? Maybe
like this…
If we were to cast our minds back 50 years or more, we
might recall a joke song of a slightly scary nature – as it seemed at the time
to the average infant – about the curious gastronomic pursuits of an old lady,
whose inevitable consequential demise was confirmed in spoken word form right
at the end. Stand up and take a bow, Burl Ives - video link below.
On the subject of demise, a fate that awaits us all some day, one
of Lord Sumption’s observations on the government reaction to Covid is that we
have been made to feel an irrational horror of death. Could it be that a lethal
combination of charlatan experts and arse covering politicians, neither having properly
considered whether lockdown might cause greater misfortunes of a different
nature, has induced us to swallow a lie?
Back to that scary song. Pick up the
guitar, strum an opening C chord, and reappraise the lyrics: -
I know a whole nation who swallowed a lie
We all know why they swallowed the lie
They feared they’d die
I know a whole nation who furloughed the labour
And left a huge bill for the taxpaying neighbour
They furloughed the labour to back up the lie
We all know why they swallowed the lie
They feared they’d die
I know a whole nation who shut all the works
What absolute berks to shut all the works
They shut all the works ‘cause they’d furloughed the labour
And left a huge bill for the taxpaying neighbour
They furloughed the labour to back up the lie
We all know why they swallowed the lie
They feared they’d die
I know a whole nation shut hospital wards
How could they afford to shut hospital wards
They shut all the wards to save the works (etc)
I know a whole nation who shut all the schools
Such impetuous fools to shut all the schools
They shut all the schools to save the wards (etc)
I know a whole nation who shut all the pubs
A gratuitous snub when they shut all the pubs
They shut all the pubs to save the schools (etc)
I know a whole nation with mandatory muzzles
A curious puzzle, inflicting the muzzles
They inflicted the muzzles to save the pubs
They shut all the pubs to save the schools
They shut all the schools to save the wards
They shut all the wards to save the works
They shut all the works ‘cause they’d furloughed the labour
It is often the case that yesterday’s satire becomes today’s
reality. One shining and somewhat topical example, all about pressure groups
and oppressed minorities, can be found in the classic “Stout Life” sketch from
the genius team who brought us Not The Nine O’Clock News. The chat show host Janny
Shtrait-Pawuh [Pamela Stephenson] is hosting a studio discussion panel
comprising Stout Community representative George Fletcher [Mel Smith] and the
Reverend John “Tubbs” Whiston [Griff Rhys-Jones], a Stout Christian.
The debate before the studio audience is proceeding in
civilised fashion, George having advised an audience member with “a friend who
thinks he might be stout” to squeeze out of the closet and declare his stoutness.
Suddenly, a man in an oversize suit [Rowan Atkinson] stands up and loudly interrupts.
“This is all crap! We’ve been sitting here listening to all
this utter rubbish…”
(Muttered aside: “Oh no, it’s Ron Miller.” Ranting
continues…)
George: “Introduce yourself, Ron, this is Ron Miller of the
extremist group FLAB, Fat Louts Against Bikinis.”
Ron: “Shut up. Listen. Look at this Slimming magazine.
Slimming magazine! This isn’t a million miles from what Adolf Hitler was trying
to do. We demand a fat Prime Minister, more obesity in the media, the banning
of the word ‘ample’. We want the force feeding of skinnies!"
George: “Ron, you’re doing the movement more harm than
good.Now sit down!”
Ron: “Where was the Reverend Whiston at Notting Hill Gate in
’79 during the worst FLAB riots this country has ever seen?” (Vicar mutters in
embarrassment.) “Organising plump discos, I expect.”
George: “Ron, I’m sorry, I’m sorry to be personal, but I
mean, you’re talking about stoutism, but you’re not stout, you’re not even
overweight…"
Ron, indignantly: “Oh…”
George: “…in fact you’re skinny!”
Ron: “So you have to be fat to be stout, now, do you?”
(George and John confer, before concerted retaliation…)
“Thin poof!”
Ron: “I don’t have to take that from you, you great wobblebottom!”
(Shouting match breaks out all round…)
It would perhaps be circumspect, in the present environment,
to refrain from further comment and let this sketch speak for itself.